Thunderstruck (Damien Hirst (British, b. 1965), Unique Red...)


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This 2001 Damien Hirst print series follow his ambitious Kaleidoscope paintings, in which thousands of real butterfly wings compose complex concentric patterns in household paint.


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363 C ountless butterfly wings spin around Damien Hirst's new paintings, in expanding circles of iridescence. These wheels of brightness seem to have a light inside them, a neon heart, but.


Thunderstruck (Damien Hirst (British, b. 1965), Unique Red...)

Now, the British artist Damien Hirst has made his own version. Butterfly Rainbow is made up of bands of coloured butterfly wings, one of the artist's best-known motifs and the work can be.


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Damien Hirst is an artist whose incredible gift has been to find deep poetry and philosophy for the way we live our lives in the most direct re-workings of pre-existing objects and media. Butterflies have been central to his oeuvre since he burst onto the scene in the early 1990s. For him the short lifecycle of a butterfly and the glorious.


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Now Damien Hirst has joined the nation's growing army of artistic children and created his own rainbow to show support for the NHS during the coronavirus crisis. The work, Butterfly Rainbow,.


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AR00045 Summary Online caption Summary Monument to the Living and the Dead is a very large painting composed of two equal-sized square canvases mounted in abutting white frames. Each canvas is covered with a layer of monotone household gloss paint, in which exotic butterfly carcasses are embedded.


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"Mandalas" (2018-1019) would be the next great series whose star motif is the butterfly. This is a series of large-scale works in which Damien Hirst creates intricate concentric patterns made up of hundreds of butterfly wings. In contrast to his previous kaleidoscopic series, Mandalas refer to Eastern cultures and focus on concepts prevalent in Hindu, Buddhist, Jain or Shinto traditions.


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Damien Hirst Series Butterflies 122 available For Damien Hirst, butterflies symbolize death and resurrection. The British artist debuted this motif when he was 26 years old, with his ambitious installation "In and Out of Love" (1991).


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Contemporary Art Damien Hirst's Butterflies: From Tea-trays to Mandalas Isla Phillips-Ewen 30 April 202313 min Read Share Exhibition view: Damien Hirst and Science Ltd, DACS 2019. photo by the White Cube (Ollie Hammick). Damien Hirst - a prominent Young British Artist (YBA) and now a billionaire - creates sculptures, paintings, and drawings.


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For Damien Hirst, butterflies symbolize death and resurrection. The British artist debuted this motif when he was 26 years old, with his ambitious installation "In and Out of Love" (1991). Damien Hirst, In and Out of Love, 1991 "In and Out of Love" was Hirst's first solo exhibition in London.


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Damien Hirst's butterfly-themed stained-glass skylight. Courtesy of Claridge's. Ride the elevator, if you wish, but at Claridge's in London, the smart set now takes the stairs.


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Letters. Jonathan Jones ( Reaching for the stars on butterfly wings, 20 September) awards five stars to an exhibition in which Damien Hirst "wants you to feel the awe-inspiring miracles of life.


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Hirst himself stood up to defend his slaughter as well, saying in a statement to The Daily Mail that he employed a butterfly expert for his show at "considerable cost." He added that the living conditions created at the museum were "perfect" and "resulted in many butterflies enjoying longer lifespans due to the high quality of the environment and food provided."


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The Damien Hirst butterflies known as 'Psalms' is part of the greater ' Kaleidoscope ' series which was conceptualized by Hirst in 2001 after he found a Victorian tea tray covered in the pattern of butterfly wings.


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Damien Hirst in front of one of his butterfly canvases, part of his retrospective at Tate Modern. Photograph: Ray Tang/Rex Features Butterflies Damien Hirst's butterflies: distressing but.


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In 1991, Damien Hirst presented In and Out of Love, his first solo exhibition in London. Taking up two floors of the Woodstock Street Gallery between June 21 and July 26, 1991, the exhibition comprised a room of live butterflies and an installation titled Butterfly Paintings and Ashtrays.